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Showing posts with label Talent is Overrated. Show all posts
Showing posts with label Talent is Overrated. Show all posts

Tuesday, September 20, 2011

Talent is Overrated



A good friend Kevan Gale, co-owner of StilStudio in Dedham, Massachusetts, recommended the book Talent is Overrated by Geoff Colvin a few years ago. I was pretty much occupied with raising a family and other things at the time, and couldn't give it the attention it deserved.

The basic premise of the book is that while most people believe that great performers like concert pianists, NFL football players, and chess masters are born with special talents that make them likely to succeed in their chosen fields, there is no evidence to bear this out. Long term studies indicate that high performance in any given field is a matter of dedicating long hours of what the book calls "deliberate practice" for many years, even a lifetime. Deliberate practice is defined as a little different than what most of us actually do when we practice, which is a little haphazard. Most people practice doing what they do well and avoid practicing things they aren't good at. Deliberate practice involves, among other things, focusing on those very things that might not be enjoyable, in order to improve, especially those skills that don't come easily or feel natural.

Another concept Colvin mentions at this point is that great performers have a deliberate, organized training program. They take advantage of teachers and trainers, even at high levels. They don't blame the weather or the phase of the moon if their golf shot goes awry, they take responsibility and work hard to improve so it doesn't happen again.

Perhaps most importantly, the book closes with a chapter on motivation, taking the reader to the very edge of research in the field and gazing out over the precipice. There is considerable discussion of the multiplier effect, and the origins of the drive to excel. The multiplier effect is the idea that early encouragement and/or success in a particular endeavor could lead to more confidence, and more desire to practice. This could in turn lead to improved performance, and gradually become self-replicating.

Finally, the book supposes, it comes down to what your goals are, and your personal beliefs.

What does all this have to do with yoga? It occurs to me that the hours spent in deliberate, focused practice on the mat, are an excellent training endeavor with transferable skills. The lessons we learn on our yoga mats, that our minds and our bodies can transform with time and gentle, persistent attention, can be taken off the mat and, forgive the cliche, into the world. If you can learn to open your hips, to meditate, to perform a headstand or a crow or any other pose that at first seems almost beyond your abilities, then you can master a business skill, be a more effective parent, or any other endeavor that seems worthwhile. Namaste!

Monday, September 19, 2011

This picture is from a 1958 book titled "The Key of Yoga" by Walter B. Gibson. I love the 50's aesthetic here, and it's also worthy of note that Kino Macgregor was not the first woman to do yoga in a tube top.

And let's face it, I just wish that I could do yoga in a tube top!

I made it through nearly Day 6 of the Fall Detox, but was derailed slightly by a family dinner at my very favorite Italian restaurant. I made intelligent choices, avoided the bread, had a glass of wine, but by Sunday I had no kitchari left and no time to make it, so it was hard to get back on track. So I'm adding 2 days and trying to figure out where to go from here. David Garrigues began a 3 part video on the yogi's diet and I'll be eagerly watching that this week.

This morning I'm experimenting with drinking a half cup of coffee before practicing, which is why I'm posting before 6am. Yesterday I practiced 2nd series. The knee is getting better, the lotus slightly deeper and I'm learning how far I can push it. There is some pain, but my feeling is that if I don't push it at all, it will heal in a tighter place that could take many months or even years to undo. Finding that perfect edge is tricky. The headstands in 2nd series are a lot of fun to play with. Once you've got a basic headstand, the variations are interesting and surprising. Put my hands where? Okay, that wasn't too bad. Now out to the side, okay, we'll see....

The next post I'm working on is based on ideas from a book called Talent is Overrated, by Geoff Colvin, which my friend and fellow yogi Kevan Gale told me about a few years ago, which I'm just getting back to. I highly recommended this book if you're interested in performance in any field of endeavor. I'm wrapping my mind about how to apply all these ideas to my yoga and art practice, and to the teaching of yoga.